Page 228 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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from walter benjamin to the end of cinema
Moore, O. Rachel (2000). Savage Theory /Cinema as Modern Magic. Durham &
London: Duke University Press.
Moore, O. Rachel (2012) A Different Nature. In: Keller, Sarah & Paul, Jason N.
(ed.) Jean Epstein Critical Essays and New Translations. Amsterdam: Am-
sterdam University Press, pp. 177 – 194.
Murray, Timothy (2008). Digital Baroque / New Media Art and Cinematic
Folds. Minneapolis, London: University of Minnesota Press.
Nakamura, Lisa (2008). Digitizing Race / Visual Cultures of the Internet. Min-
neapolis, London: Universitiy of Minnesota press.
Nowell-Smith, Geoffrey (1990). On History and the Cinema. In: Screen vol. 31,
No.2, Oxford, pp.160 - 171.
Patterson, Patrick H. (2000). The East is Read: The End of Communism, Slo-
venian Exceptionalism, and the Independent Journalism of Mladina. In:
East European Politics and Societies 14 (2), pp. 411-459.
Pavicic, Jurica (2008). “Lemons in Siberia:” A New Approach to the Study of
the Yugoslav Cinema of the 1950s. New Review of Film and Television
Studies 6 (1): 19–39.
Pavičić, Jurica (2010). ‘Cinema of normalization’: changes of stylistic model in
post-Yugoslav cinema after the 1990s’. Studies in Eastern European Cine-
ma 1:1, pp. 43–56.
Petchesky, Rosalind P. (1986). Abortion and Woman’s Choice. London: Verso.
Rancière, Jacques (2000). Le Partage du sensible: Esthétique et politique, Paris:
La Fabrique-Éditions.
Rancière, Jacques (2013). Aisthesis (Trans. Z. Paul). London: Verso.
Rancière, Jacques (2014). The Intervals of Cinema (transl. J. Howe). London:
Verso.
Reiter, Otto (2004). Of Suicides and a Few Survivors. Available at: http://w -
w w.kont a k t .er s t e b a n k g roup.ne t /re p or t /s tor ie s/Von+S e lb s t mo erd-
ern+und+w enigen+Ueberlebenden/e n (accessed 10th May 2008).
Rorty, Richard (1989). Contingency, Irony, and Solidarity. Cambridge: Cam-
bridge University Press.
Rosenberg, Alfred (1970). Selected Writings. (Edited and introduced by Robert
Pois). London: Jonathan Cape.
Rotar, Braco (1985). Risarji: učenjaki [Draftsmen: Scholars]. Ljubljana: Delavs-
ka enotnost.
226
Moore, O. Rachel (2000). Savage Theory /Cinema as Modern Magic. Durham &
London: Duke University Press.
Moore, O. Rachel (2012) A Different Nature. In: Keller, Sarah & Paul, Jason N.
(ed.) Jean Epstein Critical Essays and New Translations. Amsterdam: Am-
sterdam University Press, pp. 177 – 194.
Murray, Timothy (2008). Digital Baroque / New Media Art and Cinematic
Folds. Minneapolis, London: University of Minnesota Press.
Nakamura, Lisa (2008). Digitizing Race / Visual Cultures of the Internet. Min-
neapolis, London: Universitiy of Minnesota press.
Nowell-Smith, Geoffrey (1990). On History and the Cinema. In: Screen vol. 31,
No.2, Oxford, pp.160 - 171.
Patterson, Patrick H. (2000). The East is Read: The End of Communism, Slo-
venian Exceptionalism, and the Independent Journalism of Mladina. In:
East European Politics and Societies 14 (2), pp. 411-459.
Pavicic, Jurica (2008). “Lemons in Siberia:” A New Approach to the Study of
the Yugoslav Cinema of the 1950s. New Review of Film and Television
Studies 6 (1): 19–39.
Pavičić, Jurica (2010). ‘Cinema of normalization’: changes of stylistic model in
post-Yugoslav cinema after the 1990s’. Studies in Eastern European Cine-
ma 1:1, pp. 43–56.
Petchesky, Rosalind P. (1986). Abortion and Woman’s Choice. London: Verso.
Rancière, Jacques (2000). Le Partage du sensible: Esthétique et politique, Paris:
La Fabrique-Éditions.
Rancière, Jacques (2013). Aisthesis (Trans. Z. Paul). London: Verso.
Rancière, Jacques (2014). The Intervals of Cinema (transl. J. Howe). London:
Verso.
Reiter, Otto (2004). Of Suicides and a Few Survivors. Available at: http://w -
w w.kont a k t .er s t e b a n k g roup.ne t /re p or t /s tor ie s/Von+S e lb s t mo erd-
ern+und+w enigen+Ueberlebenden/e n (accessed 10th May 2008).
Rorty, Richard (1989). Contingency, Irony, and Solidarity. Cambridge: Cam-
bridge University Press.
Rosenberg, Alfred (1970). Selected Writings. (Edited and introduced by Robert
Pois). London: Jonathan Cape.
Rotar, Braco (1985). Risarji: učenjaki [Draftsmen: Scholars]. Ljubljana: Delavs-
ka enotnost.
226
