Page 231 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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A 92, 93, 94, 95, 96, 97, 98, 99, 101,
102, 103, 104, 105, 106, 108, 114, 115,
abortion 75, 76, 77, 78, 79, 80, 82, 116, 117, 126, 127, 128, 131, 147, 148,
207, 208 150, 159, 165, 166, 173, 174, 175, 180,
181, 182, 183, 184, 187, 188, 189, 190,
Adamič, Ernest 127 191, 192, 197, 199, 201, 202, 203, 204,
Adami, Valerio 37 207, 208, 209, 210, 211, 213, 217, 220
Adorno, Theodor W. 20, 21, 26, 27, Artaud, Antonin 97, 114
artefact 85, 209
28, 170, 192 aura 22, 29, 30, 37, 38, 97, 115, 189,
aesthetics 24, 36, 38, 66, 70, 88, 89, 201, 202, 203
auteur cinema 130
90, 93, 100, 101, 102, 104, 108, 109,
130, 141, 148, 154, 164, 165, 166, 174, B
175, 180, 182, 184, 187, 188, 190, 192,
193, 199, 203, 209, 211, 212, 215, 217 Badiou, Alain 12, 57, 58, 59, 117, 144,
Agamben, Giorgio 89, 90, 93, 209 191
Althusser, Louis 28, 93, 129
Anderson, Benedict 62, 122 Bahovec - Dolar, Eva 79
Andrić, Ivo 133, 138 Balázs, Béla 187
Antonioni, Michelangelo 34, 42, 163, Balkans 53, 121, 122, 123, 124, 127, 133,
164, 165, 215
Arnold, Mathew 41 139, 140, 141, 142, 144, 145, 146, 147,
art 12, 13, 20, 21, 22, 26, 27, 28, 29, 30, 148, 149, 151, 152, 153, 154, 165, 166,
33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 211, 212, 213
43, 66, 67, 85, 86, 87, 88, 89, 90, 91, Bal, Mieke 34, 43, 95, 96, 97, 170, 204

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