Page 230 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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from walter benjamin to the end of cinema
Wollin, Richard (1982). Walter Benjamin (An Aesthetic of Redemption). New
York: Columbia University Press.
Williams, Raymond (1974). Television / Technology and Cultural Form. Lon-
don: Fontana.
Woods, Gerald, Thompson, Philip, Williams, John (1972). Art without Bound-
aries: 1950 – 70. London: Thames and Hudson.
Zajec, Matjaž (1980). Za novo filmsko zgradbo [For a New Film Edifice]. Ekran
5 (9/10): 2 –3.
Žižek, Slavoj (1982). Zgodovina in nezavedno [History and the Unconscious].
Ljubljana: Cankarjeva založba.
228
Wollin, Richard (1982). Walter Benjamin (An Aesthetic of Redemption). New
York: Columbia University Press.
Williams, Raymond (1974). Television / Technology and Cultural Form. Lon-
don: Fontana.
Woods, Gerald, Thompson, Philip, Williams, John (1972). Art without Bound-
aries: 1950 – 70. London: Thames and Hudson.
Zajec, Matjaž (1980). Za novo filmsko zgradbo [For a New Film Edifice]. Ekran
5 (9/10): 2 –3.
Žižek, Slavoj (1982). Zgodovina in nezavedno [History and the Unconscious].
Ljubljana: Cankarjeva založba.
228