Page 224 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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from walter benjamin to the end of cinema
Beck, Ulrich (1998). Risk Society. London: Thousand Oaks, New Delhi: Sage
Publications.
Benjamin, Walter (1991). Krisis des Romans: Zu Döblin‘s Berlin Alexander-
platz, in Gesammelte Schriften, Band III, Frankfurt/M: Suhrkamp, pp.
230 – 236.
Benjamin, Walter (1969). The Work of Art in the Age of Mechanical Reproduc-
tion. In: Illuminations. New York: Schocken Books, pp. 217–251.
Berger, Peter and Luckman, Thomas (1991). The Social Construction of Reali-
ty (A Treatise in the Sociology of Knowledge): Harmondsworth: Penguin
Books.
Bergson, Henri (1982). Matière et mémoire. Paris: Presses Universitaires de
France.
Bergson, Henri (1911). Matter and Memory, translated by Nancy Margaret Paul
and W. Scott Palmer. London: George Allen and Unwin.
Bernard, Barbara (1978). Fashion in the 60s. London: Academy Editions, New
York: St. Martin’s Press.
Bigsby, C. W. E. (1976). The Politics of Popular Culture. In: Approaches to Pop-
ular Culture (ed. by C.W. E. Bigsby), London: Edward Arnold, pp. 3 – 25.
Bonny, Yves (1995). Les formes contemporaines de participation: citoyenne-
té située ou fin du politique? In: Merle, P. & Vatin, F. (eds.) La citoyenneté
aujourd’hui. Rennes: Presses universitaires de Rennes,. pp. 15 - 28.
Bourdieu, Pierre (1994). Raisons pratiques/Sur la théorie de l’action. Paris : Édi-
tion du Seuil.
Bourdieu, Pierre (1996). Rules of Art. Stanford, California: Stanford Univer-
sity Press.
Bourdieu, Pierre (1997). Méditations Pascaliennes. Paris: Seuil.
Brockmann, Steven (2010). A Critical History of German Film. Rochester, NY:
Camden House.
Cavell, Stanley (1979). The World Viewed. Reflections on the Ontology of film.
(Enlarged edition). Cambridge, London: Harvard University Press.
Caygill, Howard (1998). Walter Benjamin / The Colour of Experience. London:
Routledge.
Chaney, David (1993). Fictions of Collective Life / Public drama in late modern
culture. London, New York: Routledge.
222
Beck, Ulrich (1998). Risk Society. London: Thousand Oaks, New Delhi: Sage
Publications.
Benjamin, Walter (1991). Krisis des Romans: Zu Döblin‘s Berlin Alexander-
platz, in Gesammelte Schriften, Band III, Frankfurt/M: Suhrkamp, pp.
230 – 236.
Benjamin, Walter (1969). The Work of Art in the Age of Mechanical Reproduc-
tion. In: Illuminations. New York: Schocken Books, pp. 217–251.
Berger, Peter and Luckman, Thomas (1991). The Social Construction of Reali-
ty (A Treatise in the Sociology of Knowledge): Harmondsworth: Penguin
Books.
Bergson, Henri (1982). Matière et mémoire. Paris: Presses Universitaires de
France.
Bergson, Henri (1911). Matter and Memory, translated by Nancy Margaret Paul
and W. Scott Palmer. London: George Allen and Unwin.
Bernard, Barbara (1978). Fashion in the 60s. London: Academy Editions, New
York: St. Martin’s Press.
Bigsby, C. W. E. (1976). The Politics of Popular Culture. In: Approaches to Pop-
ular Culture (ed. by C.W. E. Bigsby), London: Edward Arnold, pp. 3 – 25.
Bonny, Yves (1995). Les formes contemporaines de participation: citoyenne-
té située ou fin du politique? In: Merle, P. & Vatin, F. (eds.) La citoyenneté
aujourd’hui. Rennes: Presses universitaires de Rennes,. pp. 15 - 28.
Bourdieu, Pierre (1994). Raisons pratiques/Sur la théorie de l’action. Paris : Édi-
tion du Seuil.
Bourdieu, Pierre (1996). Rules of Art. Stanford, California: Stanford Univer-
sity Press.
Bourdieu, Pierre (1997). Méditations Pascaliennes. Paris: Seuil.
Brockmann, Steven (2010). A Critical History of German Film. Rochester, NY:
Camden House.
Cavell, Stanley (1979). The World Viewed. Reflections on the Ontology of film.
(Enlarged edition). Cambridge, London: Harvard University Press.
Caygill, Howard (1998). Walter Benjamin / The Colour of Experience. London:
Routledge.
Chaney, David (1993). Fictions of Collective Life / Public drama in late modern
culture. London, New York: Routledge.
222
