Page 229 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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[Return of Reality /New Realism in Contemporary Cinema] Slovenska
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Therborn, Göran (1996). European Modernity and Beyond. London: Sage.
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Vojković, Saša (2008). Introduction: Re-Imagining the Balkans: Essays on
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Vojković, Saša. (2008) De/re-constructing of subjectivity in contemporary
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227
Rudolf, Franček (1980). Scenarij – skrivnost slovenskega filma [Scenario: The
Mystery of Slovenian Cinema]. Ekran 5 (3/4): pp. 53–54.
Sander, Gabrielle (2007). Alfred Döblins Berlin Alexanderplatz – ein Text aus
Texten, in: Martinez de Richter, Marily (ed.) Moderne in den Metropo-
len / Roberto Arlt und Alfred Döblin. Würzburg: Verlag Könighausen und
Neumann.
Sarup, Madan (1996). Identity, Culture and the Postmodern World. Edin-
bourgh: Edinbourgh University Press.
Seliger, Martin (1976). Ideology and Politics. London: George Allen & Unwin.
Serres, Michel (2015). Thumbelina. The Culture and Technology of Millennials
(Translated by Daniel W. Smith). London, New York: Rowman and Lit-
tlefield.
Shusterman, Richard (2009). Art and Social Change. In: Carter, Curtis L. (ed.)
Art and Social Change. International Yearbook of Aesthetics, Volume 13,
Milwaukee, Wisconsin: Marquette University Department of Philosophy,
pp. 3 – 18.
Smith, Terry (2009). What is Contemporary Art? Chicago and London: The
University of Chicago Press.
Šprah, Andrej (2011). Vračanje realnosti / Novi realizem v sodobnem filmu
[Return of Reality /New Realism in Contemporary Cinema] Slovenska
kinoteka: Ljubljana.
Tester, Keith (1994). Media, Culture and Morality. London, New York: Rout-
ledge.
Therborn, Göran (1996). European Modernity and Beyond. London: Sage.
Todorova, Maria (2009). Imagining the Balkans (updated editions), New York:
Oxford University Press.
Truffaut, François (2004). Le plaisir des yeux. Paris: Petite bibliothèque des Ca-
hiers du cinéma.
Urbančič, Ivan (1989). Slovenske predstave o političnem redu v Jugoslaviji [Slo-
venian Conceptions of the Political Order in Yugoslavia], Nova revija, 8
(83/84, March–April): pp. 577–585.
Vojković, Saša (2008). Introduction: Re-Imagining the Balkans: Essays on
Southeastern European Cinema. New Review of Film and Television Stud-
ies 6 (1), pp. 1–4.
Vojković, Saša. (2008) De/re-constructing of subjectivity in contemporary
Croatian Cinema: becoming European. New Review of Film and Televi-
sion Studies 6 (1), pp. 83 – 95.
227
