Page 223 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
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Adamič, Ernest (1954). Pogledi na razvoj slovenskega filma [Views on the De-
velopment of Slovenian Film], in: Naš kino, Ljubljana: Zveza kinogledal-
išč, pp. 35 – 44.
Adorno, Theodor, Horkheimer, Max (1972). Dialectics of Enlightenment. New
York: Herder & Herder.
Agamben, Giorgio (1999). The Man Without Content. Stanford, California:
Stanford University Press.
Antonioni, Michelangelo (2003). Écrits. Paris : Éditions Images Modernes.
Badiou, Alain (1993). L’éthique/ Essai sur la conscience du Mal. Paris: Hatier.
Badiou, Alain (2003). Infinite Thought. London and New York: Continuum.
Badiou, Alain (2013). Cinema (Texts selected and introduced by Antoine de
Baecque, translated by Susan Spitzer). Cambridge: Polity Press.
Bahovec – Dolar, Eva (ed.) (1991). Abortus - pravica do izbire?! [Abortion - Free-
dom to Choose?!]. Ljubljana: “Ženske za politiko”.
Bal, Mieke (1996). Double Exposures / The Subject of Cultural Analysis, New
York and London: Routledge.
Bal, Mieke (1999). Introduction. In: Bal, Mieke (ed.) The Practice of Cultural
Analysis, Stanford, California: Stanford University Press, pp. 1 – 14.
Baudrillard, Jean (2004). Le Pacte de lucidité ou l’intelligence du Mal. Paris:
Galilée.
221