Page 9 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
P. 9
content
141 Cinematic Road to a Redefinition of the Balkans
144 Political Epistemological Break
147 Small Cinematographies, which became Parts of World Cinema
149 Some Examples
153 Shifted Signifiers
155 5: The End of Cinema
157 Identity in a Notion of the Eastern and Western European Cinema
158 Identity with a Difference
159 Suicide at the Seashore
162 European Modernity: Decentring Identity
165 Sand Castle
169 Memory and Identity in Film
171 Bergson‘s Memory
173 From Memory to Identity to Ethnology
179 Immediacy as an Attribute of Cinema as Art
180 Film as Art in Epstein’s Vision
182 Writing of Forms
187 Transcending Cinema as the Art of Mass Culture
187 Dialectics in the Digital Age
189 Reality
191 Towards the Digital
195 Conclusion
197 Ontology of the Virtual
201 Summary
201 Aura, Culture and what Becomes from Form?
205 Extremism, Perceptions, Transformations and Sexuality
208 Art and Society
211 Questions of Cinema
219 Povzetek
221 Bibliography
229 Index
7
141 Cinematic Road to a Redefinition of the Balkans
144 Political Epistemological Break
147 Small Cinematographies, which became Parts of World Cinema
149 Some Examples
153 Shifted Signifiers
155 5: The End of Cinema
157 Identity in a Notion of the Eastern and Western European Cinema
158 Identity with a Difference
159 Suicide at the Seashore
162 European Modernity: Decentring Identity
165 Sand Castle
169 Memory and Identity in Film
171 Bergson‘s Memory
173 From Memory to Identity to Ethnology
179 Immediacy as an Attribute of Cinema as Art
180 Film as Art in Epstein’s Vision
182 Writing of Forms
187 Transcending Cinema as the Art of Mass Culture
187 Dialectics in the Digital Age
189 Reality
191 Towards the Digital
195 Conclusion
197 Ontology of the Virtual
201 Summary
201 Aura, Culture and what Becomes from Form?
205 Extremism, Perceptions, Transformations and Sexuality
208 Art and Society
211 Questions of Cinema
219 Povzetek
221 Bibliography
229 Index
7
