Page 8 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
P. 8
from walter benjamin to the end of cinema
61 A Distant View in Michelle Pfeiffer‘s Smiling Eyes
61 The Paradox of Tradition
62 Culture and Transition
64 Looking from the Perspective of an Object of a Case Study
67 Transition Over the Barriers of Identity
73 The Pleasure to Forbid Pleasure
74 Sexuality as a “New” Social Issue
75 Conservatism and Traditionalism vs Freedom of Choice
77 Pleasure Against Nation, Nation Against Pleasure
79 Microscopic Human Being
80 Sexual Pleasure is Male
83 3: Transformations: Ways of Art
85 Counter-identification and Politics of Art
85 The Ineffable
88 Reversal of a Perspective
93 Making Statements
95 On Digital Exposures
95 Double Exposure
97 Shanghai Twins
100 Ocean Without a Shore
101 Information Accelerator
103 The Principle of Montage and Literature
105 Döblin‘s Hesitant Acceptance of Film
106 Reading Berlin Alexanderplatz
109 Montage and De-montage
110 Fassbinder‘s Alexanderplatz
114 In the Age of Digital Montage-collage
117 Deleuzian Delusionary Dividualism
119 4: Balkan Cinema
121 Robar-Dorin‘s Mirror: Rams and Mammoths in the Context
of Yugoslav History
122 Nationalism and Ethnicity
124 Ethnicity in the Balkans under Communism
127 Images of Nationalism
131 Love of Our Own Soil
139 Troubled History
6
61 A Distant View in Michelle Pfeiffer‘s Smiling Eyes
61 The Paradox of Tradition
62 Culture and Transition
64 Looking from the Perspective of an Object of a Case Study
67 Transition Over the Barriers of Identity
73 The Pleasure to Forbid Pleasure
74 Sexuality as a “New” Social Issue
75 Conservatism and Traditionalism vs Freedom of Choice
77 Pleasure Against Nation, Nation Against Pleasure
79 Microscopic Human Being
80 Sexual Pleasure is Male
83 3: Transformations: Ways of Art
85 Counter-identification and Politics of Art
85 The Ineffable
88 Reversal of a Perspective
93 Making Statements
95 On Digital Exposures
95 Double Exposure
97 Shanghai Twins
100 Ocean Without a Shore
101 Information Accelerator
103 The Principle of Montage and Literature
105 Döblin‘s Hesitant Acceptance of Film
106 Reading Berlin Alexanderplatz
109 Montage and De-montage
110 Fassbinder‘s Alexanderplatz
114 In the Age of Digital Montage-collage
117 Deleuzian Delusionary Dividualism
119 4: Balkan Cinema
121 Robar-Dorin‘s Mirror: Rams and Mammoths in the Context
of Yugoslav History
122 Nationalism and Ethnicity
124 Ethnicity in the Balkans under Communism
127 Images of Nationalism
131 Love of Our Own Soil
139 Troubled History
6
