Page 7 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
P. 7
Content
9 Acknowledgements
11 Foreword
15 1: Dialectics of Aura
17 Benjamin‘s Notion of Mass Culture and the Question
of Emancipation
19 Contours of Benjamin‘s Concept of Mass Culture
21 Beyond Mechanical Reproduction
25 Benjamin‘s Aspect1
26 Change in the Mode of Participation
28 The Mystery of Non-mystery
30 Orchid in the Land of Technology
33 Changing the Mind
35 Cultural Ideology
37 Perception of Perception
40 The Politics of Differences
45 2: Transitions: Ways of Politics
47 Defining the Ideology of Extremism
47 A Kind of Aliens
49 Patterns of the Past
54 Clash of Identities
5
9 Acknowledgements
11 Foreword
15 1: Dialectics of Aura
17 Benjamin‘s Notion of Mass Culture and the Question
of Emancipation
19 Contours of Benjamin‘s Concept of Mass Culture
21 Beyond Mechanical Reproduction
25 Benjamin‘s Aspect1
26 Change in the Mode of Participation
28 The Mystery of Non-mystery
30 Orchid in the Land of Technology
33 Changing the Mind
35 Cultural Ideology
37 Perception of Perception
40 The Politics of Differences
45 2: Transitions: Ways of Politics
47 Defining the Ideology of Extremism
47 A Kind of Aliens
49 Patterns of the Past
54 Clash of Identities
5
