Page 120 - Darko Štrajn, From Walter Benjamin to the End of Cinema: Identities, Illusion and Signification. Ljubljana: Educational Research Institute, 2017. Digital Library, Dissertationes, 29.
P. 120
from walter benjamin to the end of cinema
siring constituents, disposed and exposed to an abstract domination. Mon-
tage-collage is obviously a form of narrative, which, through de-montage of
the flow of “real life”, is capable of articulating a morphing of bodies and its
symbolic potentials. Hence, the Deleuzian delusionary concept of dividual-
ity and its theoretical vision signals a scope of thinking within cyberspace
– of course, not losing sight of past testimonies of decentred subjectivity,
one that I found in Döblin’s novel and its adaptations in moving pictures.
118
siring constituents, disposed and exposed to an abstract domination. Mon-
tage-collage is obviously a form of narrative, which, through de-montage of
the flow of “real life”, is capable of articulating a morphing of bodies and its
symbolic potentials. Hence, the Deleuzian delusionary concept of dividual-
ity and its theoretical vision signals a scope of thinking within cyberspace
– of course, not losing sight of past testimonies of decentred subjectivity,
one that I found in Döblin’s novel and its adaptations in moving pictures.
118
